Thursday, January 31, 2013

Puffins as Mood Enhancers

6x6 inches, paper collage

I went upstairs yesterday afternoon, and I did some mood improvement therapy in the form of finding background papers to set off this 1940's photo of a puffin from National Geographic that I salvaged from my local consignment shop.  I finally settled on an altered page from a modern NG, part of a celestial map, a bit of a photo of snow covered pine branches, a scrap of blue painted tissue paper, and a narrow strip of origami paper.  I wanted a touch of red and yellow to echo the colors in the puffin's beak, and the origami paper fit the requirement.   The best surprise was the way the faded black in the bird photo intensified to vibrant black when I put on a final coat of gloss gel medium. The photo could have been taken yesterday.

Yes, feeling much better, thank you.

Wednesday, January 30, 2013

Sulphur Butterfly Collage

6x6 inches, paper collage

I've been having a difficult time lately working up enthusiasm for two projects that I both need and want (I think) to do.  I've been amassing a stack of these small collages, something that I find to be both interesting and entertaining.  But other things keep steering me toward detours on my road to getting enough of these small collages finished to restock the galleries that carry my work this spring. 

I promised my weekly art group, which meets at a local senior center, to demonstrate a technique for creating imaginary animals using scribbles and photographs of cracked asphalt and concrete.  It is fun, a good way to play and get the old creative juices flowing, but preparing the materials and demonstration samples is taking time away from my primary art goal.

I also am writing a first person talk for a local group of local history enthusiasts about a local woman whose family has been very influential in town.  This project is also a major detour away from my studio, since it requires hours and hours of reading, library and internet research, and writing.  I finally started composing the actual script, which will need editing for all sorts of things, accuracy, time, narrative interest, and then of course will need learning.  

Then, surprise! A mental pothole in the road toward completing this program.  Recently I joined a group of long-time retired friends for dinner, and in the middle of a nice glass of cabernet one of them started in bitterly complaining about a title her local book group chose to read.  Who the h--- wants to read about HER?  Guess to whom she was referring. Yes indeed, the very woman about whom I am researching and writing.  I can only hope the folks who asked me to prepare the program will be more enthused.  But my motivation for continuing the work is significantly diminished. 

I know that I should not take a casual comment tossed out over cocktails personally.  I know that she did not intend to shoot down my enthusiasm for my work.  I know.  I keep telling myself to brush the comment aside, but dang it, I would rather do almost anything right now but sit down and write about a person who inspires such contempt.  

I think I will head upstairs on this gray and snowy day and do some cutting a gluing, a process I find very therapeutic. Then I promise I will sit down for at least an hour to write.

Saturday, January 26, 2013

Twilight Zoning

Invaders, 5x7" acrylic

It's winter, and I am in hibernation mode.  I'm not alone; I went out to K&W Greenery a couple days ago to visit the koi and sit in a warm greenhouse with lots of green tropical plants.  The koi are definitely moving slowly these days.  In the summer they swarm to the surface of the water for fishy treats, but they couldn't be bothered to do anything more than slowly fan the water and roll their eyes up toward me.  I can identify with that.

Winter finds me reading for hours, researching this and that online, and sitting in front of the wee television in my studio watching programs I have recorded.  The other night I had a half hour to kill, and I decided to watch one of my stash of saved Twilight Zone programs.  It turned out to be The Invaders, from the show's second season.  Agnes Moorehead plays a woman alone in a rustic cabin, terrorized by tiny spacemen.  It was gripping.  She never says a word, just wanders from dark room to attic with a candle and often a knife or an axe, determined to save herself.  The twist at the end was not surprising to me now because I've seen so many of these programs, but I'm sure when it aired it was a shocker.  What really appealed to me was Moorehead, how well she portrayed both her fear and her determination to survive.  I went back and played the program a second time, pausing occasionally to sketch her face or posture in the dramatic lighting.  This little acrylic painting came from those sketches - though I omitted the axe she held in the original shot.  Her expression is creepy enough.