Showing posts with label colored pencil. Show all posts
Showing posts with label colored pencil. Show all posts

Sunday, October 15, 2017

Fiona, JKPP

Fiona, Ebony Pencil and White Colored Pencil
for Julia Kay's Portrait Party

This is my most recent sketch for the online group, Julia Kay's Portrait Party.  The group started on Flickr, but more recently has an offshoot on Facebook.  I've tried all sorts of styles using the photos pf Portrait Party members worldwide - blind contour drawings, watercolors, realistic and very stylized paintings, monoprints, all sorts of things.  Over the past year or so I have labored over detailed colored pencil drawings, many with added background textures, drawings that took days.  

This time time I decided that what I got done in two hours was it.  No long drawn out laboring for me this time.  So here is Fiona, with just some simple cross-hatching and white highlights.  

And I like her fine.

Monday, August 21, 2017

Melinda for JKPP

Melinda, colored pencil on toned paper

I keep thinking about painting, and then going back to the trusty sketchbook and working with colored pencil.  This is Melinda, and I did the portrait for Julia Kay's Portrait Party.  I took way too long with this, going back and adding darker and darker values to make her face stand out.  I probably could have pushed the dark values more, but I wanted to be done with it.  I usually choose reference photos that have dramatic shadows, and that was true here.  But mostly I think I liked her direct gaze.

Wednesday, July 12, 2017

Susanne for JKPP


I haven't done any art since my June surgery, but I did manage to finish up this colored pencil portrait for the online group Julia Kay's Portrait Party.  For a while I was just to tired and shaky, but lately I just have been procrastinating.  So yesterday I just told myself I'd sit down for an hour and whateer happened, happened.

Why is it so hard to return to something you enjoy, after a long break?

Tuesday, May 9, 2017

Sandro for JKPP

Sandro - colored pencil

I keep thinking I am going to be more experimental with my portraits for Julia Kay's Portrait Party, but in the end I muck about with some contour drawings, some doodles, then go back to working quite realistically.  I think I'm getting better at achieving a good range of values with colored pencils.  Sometimes I use warmer colors, but this time I just used back, white and indigo. I basically eliminated the background, starting quite dark at the top to contrast the hat, and light at the bottom to contrast the shirt.

Sunday, December 18, 2016

Edwina for JKPP

9x12 inches, colored pencil on tan notebook paper
Edwina, for Julia Kay's Portrait Party

I am not a huge fan of the annual Christmas rush, and also not fond of snow or cold weather, except that winter allows a retreat into my upstairs studio and has given me a chance to work on colored pencil portraits.  They seem to be getting more and more detailed, as this one of a woman whose illustrations I have admired for ages, shows.  I was almost equally challenged by her soulful face and by all those tiny highlights in her "big furry hat."  Sorry, I've been watching Stephen Colbert.  

Anyway, what I have discovered in diving into these nearly monochromatic drawings, is that I love the process of developing the image, deepening the dark values, adding the lights that add to an illusion of depth.  I feel as if I know the person, though I have never met her in real life.  

All these drawings are in a bound sketchbook.  Sometimes I put an old mat over the image to see what it might look like framed, but basically I just keep them to look at, trying in each one to develop the process more fully each time.

 Why I am staying inside.

Friday, November 25, 2016

Pepe For Julia Kay Portrait Party

8x10 inches colored pencil on toned paper

I love working on toned paper.  I have a spiral bound tan paper notebook that I used for practice pieces, and portraits for an online group in which I occasionally participate.  This drawing was completed in colored pencil for that group. It was an excellent reference photo, with dramatic shadows and a full range of values.  Apart from that I have felt a little high strung lately, and I enjoyed his peaceful look. 

Sunday, April 3, 2016

Sketchbook - Mary, Riding

8x10 inches
graphite, colored pencil in sketchbook

My voice is slowly returning, a little stronger every day.  In general I feel a bit better each day, though I'm appalled at how how this bronchitis has held on.  

I've been doodling and noodling in my sketchbooks, and tried a little more formal one from a snapshot of my late sister Mary, from the 1970's.  I didn't take this picture - I think Mother sent it to me. I was away at school, and my youngest sister was turning into a lovely young woman. 

Life took a hard turn for her not long after this.  Our father became sick with cancer, and the world revolved around him for about five years.  Then she got very sick too, spending weeks at UW hospital in Madison.  She never really recovered her health.  Mother used to say she had twenty good years, and twenty not so good years.  

But the photo is drawing is based on shows a healthy and apparently happy girl, looking forward with hope.  I may want to try some different versions of this, maybe a larger painting that is less a specific portrait, and more a general image of a happy girl.  

Working on it made me happy.

Tuesday, January 12, 2016

Coloring

Anybody who has wandered through a craft store or a book store, cannot fail to notice all the adult coloring books currently on the market. Apparently there something for everyone,  geometric designs,  flowers, birds and butterflies, textile patterns, tribal designs, cats, you name it.  I was surprised and pleased to win a cat based coloring book at our family white elephant exchange - though I'd hardly call this adult coloring book a white elephant.  At any rate, I have hundreds of good colored pencils that I use infrequently, and they are perfect for coloring intricate designs.  They don't smell as nice a crayolas, but they look beautiful.

I know I colored as a child, lots of cartoon characters, farm animals, probably television characters like Zorro.  I don't know why I was surprised recently when I was looking online for a Janesville Daily Gazette from January, 1916, a hundred years ago, and found a drawing for youngsters to color:


At first I was surprised to find the detailed directions for coloring under the drawing, saying that the walls are gray, the dog black, Betty's dress pink, and so on, but later I realized that many of the contemporary coloring books I have flipped through have colored samples to copy.  I'm not sure why I think this is not only unnecessary, but down right wrong.  I can understand people not being willing or able to draw designs, but surely they can pick their own colors?

Anyway, it occurred to me that I could make some simple drawing of my life, an autobiographical coloring book.  Maybe I'd even make some copies for my small nieces to color - being certain to include lots of family members, and details from the farm.  I think this could be fun for me, if not for the nieces.  Later I could include some simple line drawings from Whitewater, where Dad had a shop and I went to college, some from Janesville where I have lived since I started teaching in the early 1970s. I don't know - maybe it'll end up being a slog and I'll give up.  But then again, maybe not.

I've considered designing other coloring books too.  How about tourist highlights of Door County?  Historic spots in Janesville or Rock County?  I have a feeling by the time I got either of these done the coloring craze will have passed.

Anyway, I tried a sample page for my autobiographical coloring book of my mother and father holding me looking worried - or maybe just nearsighted.


Saturday, October 31, 2015

A Month of Orange: Olivia, for JKPP

Olivia, for Julia Kay's Portrait Party
8x10 inches, colored pencil on tan sketchbook paper

Volunteer Halloween activities and activities outdoors have taken up much of October, and I have spent precious little time in the studio.  I did make a series of note cards, using a Gelli plate and fallen leaves, and I experimented with painting over photo copies of vintage found photos using shaving cream and acrylic paint, but I hadn't really worked on any portraits for Julia Kay's Portrait Party (an online group in which I find lots of inspiration) - until last night.  It has turned chilly and the rain is making all the fallen oak and maple leaves into a sodden mess, so the only sensible thing for me to do was sit down to play with colored pencils.

I took a photo that Olivia provided to the group, altered it in Photoshop, then worked from the cropped and altered image.  I simplified the large shapes as much as I could and still maintain a recognizable image, then worked in a very limited palette, with texture plate under much of the paper to add visual interest.  I rather like it, though I need to do more to decide if this style is one I really like.

Anyway, Happy Halloween to anyone who ventures here.  It's raining in southern Wisconsin, so I doubt we'll get many - if any - trick or treat children.  More Reese's peanut butter cups for me.

Thursday, June 26, 2014

Jutta, for Julia Kay's Portrait Party


I have been busy with our whole dying refrigerator experience the past week, and now that the new double door stainless steel gleaming machine is installed and the food is back being safely chilled.  Oh, and I once more have ice for my summer beverages. 

But I had been enjoying a little book of contemporary drawing and sketching called Freehand: Sketching Tips and Tricks Drawn from Art, by Helen Birch.  I checked it out from our excellent local library, but I find myself referring back to it over and over for the engaging illustrations, and then looking up on the featured artists.  It made me itch to try out some new ways of working.

That's what made me try an entirely different style in this portrait of Jutta Richter.  I am filling up a cheap paper sketchbook with tan toned paper for my most recent portraits, so I experimented with drawing outlines with a Micron ink pen, and also doing some simple textures with the pen.  Then I limited myself to white, red and blue colored pencils, dispensing with any shading at all.  This drawing was all about design and flat areas f color.  I hesitated making her face white, but it provided the contrast I wanted. 

The background is greatly simplified.  I added just enough to suggest the outdoor rural winter scene, and I brought dark areas up to contrast with her white skin.  Looking at the results now, it occurs to me that the shapes are simple enough that I could try a portrait using collage - but that will have to wait until later.

Friday, January 17, 2014

New Self Portrait

8x10 inches, graphite and colored pencil

I get into obsessive little grooves once in a while, and I seem to be cranking out these drawings in graphite and colored pencil, with texture added in the background and sometimes in clothing or hair.  I realized that I had not done a self-portrait for the Flickr group, Julia Kay's Portrait Party.  There's is nothing like being stuck inside because of ice and snow to get some artwork done - and some reading.  All indoor things, you know.

I worked on a different portrait this past weekend, similar technique, at an art retreat.  I knew some of the participants, and some of the ladies were new to me.  Why are these events almost always all women? Virtually all of them worked in watercolor, and when they weren't painting they were knitting.  I gave up knitting in college - not my forte.  Anyway, last weekend I was working on a largish acrylic painting that may or may not be finished off in oil, and on the drawing.  More than one person asked me if it is easier to work on a portrait of someone I do not know than a familiar person, and I was stumped as to what to say.  I used to feel more comfortable drawing strangers, since the portraits I made at first seldom looked like the actual person.  If I struggle over a painting or drawing of a person I know, and it doesn't look like her,  that is a blow.  How much better to basically fail on portraying somebody you are not invested in emotionally!  

But in the past couple years or so my drawings have begun actually looking like the subjects, and I have discovered it does not matter to me if I know the person or not, if all I am trying to do is get a likeness.  It's easier to put something of a person's personality in if I know him or her, but just a likeness, it doesn't matter.  Of course it's  harder working from life, where fatigue sets in for both the artist and the subject.  This drawing is from a photo a friend took of me, and many of the others I have done in this series are from online photos people provided.  I get to take as long as I want or need.  I'm not saying it's easy, but for me it's just a matter of paying attention to shapes, and patterns of light and dark. 

So - this is pretty much what I look like these days.  I'm heavier than I like, have more "character" lines on my face, but I can live with myself fairly happily.  Unless I consider that my 45th high school class reunion is coming up - then all I want is a dose of Geritol, and a blanket tucked around me in my rocking chair.

Friday, January 3, 2014

Cross Pollination

8x10 inches
graphite and colored pencil 
Mariah, for Julia Kay's Portrait Party

It has been cold, crazy cold in our neck of the woods, and we ended up not going out for my birthday, or New Year's Eve, though we did venture out for dinner last night.  All this inside time has inspired me to clean and organize upstairs in the studio, and try to motivate myself to get back into painting. Lately all I seem to be inclined to do is cut and paste and think about making new papers to use for more cutting and pasting, which is all well and good. It's just that I hate to get too far away from drawing and painting.  Anyway, today I was supposed to help out at a local gallery, and I knew I needed to bring along something small and portable, so I decided to do another portrait for Julia Kay's Portrait Party, a Flickr group that has recently started an auxiliary group on Facebook.  

I've been creating textured papers for my collage work, and got the brainstorm that I might be able to use rubbing plates, the sort quilters use for designing fabrics, as background texture in drawing.  If you enlarge the drawing, you'll see different textures in the dark passages, as well as in the peach and white area to the right of her head.  If I had used heavier paper I might have actually collaged on some textured areas.  This drawing is on thin sketchbook paper, so I didn't push my luck.  I like the effect well enough that I may do a little series and see what I can do with this technique.

Tuesday, July 9, 2013

Figure Drawing, New Pencils

Five minute gesture drawing, charcoal, pastel

The summer session of Whitewater's Community figure drawing continues, with a small but loyal group.  We all get along well, though individual goals vary wildly.  One craves long poses, while others prefer more variety.  One works very small, and others work larger.  One works in charcoal, another in pencil, a third in ink.  But all enjoy the immediacy of a live model, and the discipline of working week after week.

Thirty minute drawing, colored pencil on toned paper

While I have been resisting spending too much time on faces, preferring to emphasize overall shape over detail, I enjoyed using a new-to-me small set of drawing pencils from Derwent.  They're called Coloursoft, and I adored the silky application, and rich color.  I got mine in Sturgeon Bay last week, and plan to return in a week or so when I return to Door County for a collage workshop, and I want a few more to try.

Friday, June 7, 2013

Simone - For Julia Kay's Portrait Party

9x12 inches, colored pencil on toned paper

About a week has passed since I get back from my workshop week at Dillmans, and my art materials are back in the studio.  The summer session of figure drawing at UW Whitewater is underway, and I finally did another sketch for Julia Kay's Portrait Party on Flickr.  Flicker has been where I have a record of most of my artwork, but recently they altered their format, throwing many users into a distracted sense that they no longer were in Kansas.  But I resist the urge to throw up my arms and wail.  Everything changes.  It's good to adapt.

I like the portrait party people - they are many and fearless.  This is a tight sketch, remarkable for me only in that it is larger than usual.  My week with Robert Burridge at Dillman's may have convinced me that bigger is not only better, but easier as well.  This portrait is a reasonable likeness of a woman named Simone, done with only a white and black colored pencil in a Canson tan toned notebook.  It's literal rendering is nothing like the bigger gesture drawings I did of an undraped model at my recent workshop, and then tried again at UW Whitewater Monday evening.  But there is something satisfying at the simplicity of the materials in this sketch. 

Simple is good.


Monday, January 25, 2010

Button, Button...

6 x 6 inches, colored pencil and graphite

This is a small colored pencil piece I complete in 2008, after a workshop with artist Kristy Kutch.  It was fun at the time, and I was pleased enough to plan a companion piece.  After my mother's death I inherited her tin of saved buttons, and I thought using the repeated shapes would be interesting, and also a tribute to her and her sewing.

Silly me.


This is the companion piece, started in 2008, set aside until yesterday, finished today.  I'm not sure why I could not bring myself to finish this picture for so long.  I think it is like when I ate so much salt water taffy at the county fair a few years ago that even thinking about the candy makes me queasy.  All those little circles were driving me up the wall.  But I took myself in hand and sat down last night, vowed to finish it so I could clear off part of my workspace.

Done.

Monday, January 19, 2009

Unfinished Projects and a Poem

It's still cold outside my warm little house, the snow piled so high in places that my six foot three inch husband has trouble throwing it to the top of the pile.  No snow blower for Mr. Tough Guy.  I'm inside reading and working in the studio, ideas hatching like chicks, but I still have projects that sit unfinished.


This darned colored pencil piece started out as a companion for a similar picture of red, white and blue buttons.  It's small, six by six inches, and it sits out on my work table, silently inducing guilt every day while I flit from sketchbook, to painting, to collage.  I keep all the pencils I'm using in a foam meat tray, but every day it's the same.  The picture doesn't call out to me right now, even though I've already devoted hours to the project.  That's one of the beauties of colored pencils.  They wait patiently.



This is an unfinished collage of the January Virtual Sketch Date.  I did a monotype of the image already, but was that enough?  Does a chicken have lips?  Sherry has to try it as a collage, and maybe a Yupo painting.  The collage is fun, a challenge to find the paper, cut or tear it just so.  How fussy to I dare to go?  Do I want to add paint to the cut paper?  Hours speed by as I play with tinting tissue paper, newspaper, vintage receipts.  I'm gradually wrecking my flat brushes by using them to apply acrylic gel as glue.  Hmmm, may be I should try a soft gel medium and see if it wrinkles the magazine paper less. 

Then there are the books that I feel compelled to read.  In general, being a former English major, I prefer literary fiction, and often have several novels going at once.   But lately art topics have been informing my reading.  This massive reference work combines two of my passions, writing and art.  Who knew Hugh Lofting, the creator of Dr. Doolittle, wrote the stories and illustrated them from the trenches of World War I?  I read thirty pages a day, and I'm about half way through.  But then there is the Essay on Criticism to read and discuss with an online group, and Dreams From My Father to start for my neighborhood book group for next month.

And I need to get out of this house.  I've been using the cold as an excuse to not go work out. Today I'll go.  After all, there's a hot tub at the athletic club as well as a treadmill.

Here's a poem that expresses how I feel in the dead of winter in Wisconsin.  I know it's not February yet, but it could have been written for me.

February
by Bill Christophersen

The cold grows colder, even as the days
grow longer, February's mercury vapor light
buffing but not defrosting the bone-white
ground, crusty and treacherous underfoot.
This is the time of year that's apt to put
a hammerlock on a healthy appetite,
old anxieties back into the night,
insomnia and nightmares into play;
when things in need of doing go undone
and things that can't be undone come to call,
muttering recriminations at the door,
and buried ambitions rise through the floor
and pin your wriggling shoulders to the wall;
and hope's a reptile waiting for the sun.

Thursday, September 18, 2008

Lush and Lively Colored Pencil




Today was the last day of my four day colored pencil class with Kristy Kutch in Lake Geneva.  I cannot believe that it took me three days to complete the little graphite/colored pencil piece, but it did.  It only measures six by six inches, but I find it very difficult to be very productive during classes.  I've been trying to decide why that is.  There are distractions with all the people sitting around working and talking, but I have distractions at home too.  There's the telephone, the cat, the computer, household chores.  Certainly time is spent in class describing techniques and demonstrating with different materials, so I don't draw then. There's an hour lunch, and I'm not one to sit at my chair munching from a brown bag.   In a pleasant resort town like Lake Geneva, especially when it is as sunny and warm as it was this week, it's very difficult to sit in a lower level windowless classroom all day, especially when the lake is spangled in sunlight and a calliope is playing in a block filled with primary colored circus wagons.  I know, excuses all.  At least I was able to complete one painting.

As I mentioned before, Ms. Kutch is a personable and very generous instructor who takes a real interest in every student, novice and experienced.  If you'd like to see some of her work and read about the book she wrote, check out this site:  http://www.artshow.com/kutch


Tuesday, September 16, 2008

Like a Chicken With My Head Cut Off... Old Photos, Etc.


Gene and Ralph Pierce, about 1931

I suppose my title today doesn't really go with these charming 1931 photos.  They are of my Uncle Gene, and his little brother, my father Ralph.  I called Gene recently because one of his school friends died, and I wanted to be sure he heard.  Plus I wanted to ask him more questions about the farm where both his family and mine lived.  I learned, among other things, that his mother and father, my grandparents, had telephone service before they had electricity.  They got electricity in 1936.  Imagine.  I only asked because I was looking at old photos of the farmhouse and noticed that in the ones where he and Dad were little there were no electrical lines leading into the house.  I wish he lived a little closer so I could talk to him more easily and more often.  He is in his eighties, so I feel compelled to encourage him to tell me as much as he can about growing up.  He loaned me these on the condition I return them to him.  I cannot say how excited I was to see these pictures for the first time.

Actually, getting these treasures, and my recent trip to the Northwest, sent me to writing elder cousins in Washington about my grandparents on the other side of the family.  I've been sending email pictures and comments to historical societies in Spokane and Franklin counties too. Luckily for me, people have written back and little by little my information about that branch of the family tree is increasing.  

Other than that I am taking a colored pencil class this week in Lake Geneva with a charming and generous teacher named Kristy Kutch.  I drive there and back each day, which would normally take 35 minutes, but currently is taking an hour each way because of road construction.  By the time I made it home tonight I was as tired as I have been in months. We'll see how much I get accomplished by the time the class is over on Thursday afternoon.

Monday, September 1, 2008

Happiness is Eighteen Different Colors




Linus may be satisfied with eighteen colors, but I can say I always wanted the really big box, the one with three tiers of Crayolas.  These days I want all the colors!  I have drawers filled with tubes of watercolor (though I'm trying to use fewer), boxes of pastels, and most of all I have lots and lots of colored pencils.


I keep my watercolor pencils out on my work area in a couple holders I concocted out of toilet paper tubes glued to a foam core base, then spray painted.  The resulting holder has served me well.  I could make an even bigger one, but I want it small enough to be portable.  The cardboard/foam core holder is lightweight, and helps me keep my watercolor pencils separated by color.  Sometimes pens, pencils, scissors and a utility knife hop in there too.

My colored pencils, mostly Albrecht Durer and Prismacolors, are kept in a zippered three-ring binder, separated by broad categories of color in zippered plastic pouches.  This sort of arrangement has the advantage of making my big collection of pencils easy to sort through quickly, and also easy to transport.  I have a workshop with Kristy Kutch coming up later this month in Lake Geneva, and I know I'll be able to take the whole lot with no fuss at all.

I know I have not posted to my blog very regularly recently, and I won't be posting at all for the next ten days.  We're flying to Oregon, renting a car, and driving the coast.  I'm hoping that the weather cooperates, and that I'll have chances to sketch.  Happy Labor Day to all.

Tuesday, May 6, 2008

Here Comes the Sun


4x6" colored pencil
from a photo I took at Kern's Mardi Gras World, New Orleans, 1999


The warm sunny spring day, singing birds, and blooming garden inspired me to finish the drawing up, and I found myself humming this Beatles song:

Here comes the sun,
Here comes the sun,
And I say
It's alright.

Little darling,
It's been a long cold lonely winter.
Little darling
It seems like years since it's been here.

Here comes the sun,
Here comes the sun,
And I say
It's alright.

Little darling,
The smiles returning to the faces,
Little darling,
It seems likes years since it's been here.

Here comes the sun,
Here comes the sun,
And I say
It's alright.

Sun, sun, sun, here it comes (four times)

Little darling,
I see the ice is slowly melting.
Little darling,
It seems like years since it's been clear.

Here comes the sun,
Here comes the sun,
And I say
It's alright.

Here comes the sun,
Here comes the sun,
It's alright.